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The Action Plan

10/13/2020

 
I always find short term goals easier to start with, long term goals I struggle with cause I never really know what could happen (such as coronavirus) in a years time. I would have really liked to have to goals like finding places to put work on display/sell but these kind of things aren’t fully possible in the current climate. So I am looking at illustration competitions and personal development at the moment for goals. Also there is the project for next year which we get to set our own brief, which for me is something to look forward too as I enjoy being able to come up with my own ideas!

Short Term Goals

​​​Goals to achieve by the end of this year.

​General University Goals
​
Complete Illustration Application module :
  • Brief One - Eden River Brew Co. can design, Wednesday 28th October = present ideas
  • Brief Two - Unknown at this point
  • Compile Portfolio 
Complete Professional Context module :
  • Write up Project Rationale - due Thursday 29th October 
  • Write up Dissertation - due Friday 18th December 
  • Exploration of printmaking/drawing techniques discussed in dissertation and applying them to a story
​Complete Professional Practice module :
  • ​Write up blog here on the website 

​
Personal/Professional Goals
  • Look into illustration competitions, such as the Penguin book cover design competition and similar 
  • Get my website all up to date and giving a sense of my ‘style’ throughout it
  • Try to be more active on Instagram, i.e post more, not a set schedule but just when I can
  • Fill another sketchbook 
  • Look into internships maybe?
  • Figure out what I want to be as an illustrator at this time, and how to get there

Medium Term Goals

Goals to be achieved by around this time next year.

General University Goals
​
Complete Professional Practice module:
  • Write up blog on here
  • More info in future 

Complete Illustration Practice module:
  • It is work/ idea in progress but I think I want to do a book looking into 
           important women in Scotland throughout history or on Scottish folktales?

​Graduate!! 
​
Personal/ Professional Goals

  • Maybe have entered some illustration competitions 
  • Have my website all ‘professional’ looking and projecting my work in a 
           way that represents me as an illustrator 
  • Filled another sketchbook or two​​

Long Term Goals

These are lifelong goals or goals that may or may not happen at some point

​When I think of what would be the perfect way for my life to go without any limitations it would be this:
  • Being fully freelance and my own boss
  • Illustrating books others or myself have written
  • Having a whole art studio to myself with space for
          printmaking, ceramics and drawing
  • ​Also having animals is a must!
  • Being part of exhibitions

​With that out of the way I now need to think realistically, because money doesn’t  grow on trees and it is needed to live.

It hard for me to know what will happen and I have never been good about planning for long term goals, because life changes all the time and I have learnt it is not one path to one destination, it is so many that can come to a dead end. Yet with saying that I will put some goals that I think I could achieve by the end of 5-10 years from now.

Goals For The Future
​
  • Work towards becoming a freelance illustrator 
           working part-time more than likely to start
  • ​Maybe join an illustration agency if possible 
  • Take part in any mentoring that may benefit myself
  • Be able to establish myself as an illustrator in the region
  • Possibly doing a Masters degree or equivalent 
​
How am I going to achieve these goals? Through time and persistence, using this blog to learn and find sources that can help me achieve my goals. Constantly striving to improve and growing from any ‘failures’ or let downs that will hopefully not happen too much.

Skills Audit

10/13/2020

 
So now I have completed the questionnaires, where do I think I need improvement? 

To start I know my knowledge of Adobe programmes isn’t exactly the best, but for me it is the fact I have no access to them at home at the moment and I haven’t had a real need for them in my art practice so far. Yet I know I can definitely use Photoshop with some   understanding, and to an extent InDesign and After Effects. I think the challenge of using After Effects last year proved to myself that I can learn quickly with more technical programmes so I don’t worry that much that I can’t use Adobe, I just don’t have the practice or immediate access to it.
​Typography. Well for a start I don’t have the best hand writing in the world and my spelling hasn’t always been that great! So these preconceived ideas I have with words, type and font don’t exactly help. Yet through doing projects on the course I have started to understand it better and try to not worry about it like how I used too. For now it is just continuing to experiment and learn to get better at using them within or alongside my illustrations.
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​Being more ‘professional’, i.e working on my website, Instagram. I want to be able to put my own ‘style’ into my website and make it more engaging for the viewer. I have been working on it recently and still have stuff to add such as a page on sketchbook drawings, but I am slowly getting there with it! With Instagram I try to post there, but I do feel pressure to make it look cohesive and honestly just confidence in general with putting my illustrations out there without feeling that they look not good enough. Again it is something I am trying to not worry about too much, as I like Instagram to find other illustrators and creatives, as well as finding creative opportunities.

In general I can always be improving as illustrator, it is a lifelong experience, but for now I hope to just enjoy where I am with it and keep drawing and creating!

​

Where to Work?

10/5/2020

 
Since leaving school five years ago I have taken a path that I didn’t think I would. I went straight into college from school and during my two years there I learnt so much by experimenting with so many techniques. Digital/ traditional, installation art, ceramics and printmaking. I found myself drawn to printmaking because of the whole process of it, having to prepare a plate, roll the plate through the press, etc. I would constantly be in that printmaking room than anywhere else! Then college came to an end and I had no clue what to do with myself, all I had known was education to give me something to do, now I was on my own. I had hoped to go to Edinburgh College of Art to study illustration but even though I got positive feedback it seemed not possible for me to get in after two attempts of applying. Honestly I am glad I ended up not being offered a place at Edinburgh because it made me go out of comfort zone by getting a job, learning to drive, getting to be part of Uplands Modern Maker programme and having time to develop my artwork. I knew I wanted to study illustration still but wanted to stay at home so ended up applying for the course I am on now!
​
I have always known choosing to go down the art path in life wasn’t going to be the easiest way to get a full time job, yet there is nothing else that I would rather do than be creative. Before looking into illustration jobs, what am I aware of? I know there are agencies for children book publishing, graphic design based jobs and being freelance/ self-employed with no full guarantee of getting work. At this moment in time I need figure out where I sit in terms of what path I could take.

​What strengths do I have? 

Knowledge of printmaking techniques, use of Procreate, sketchbook drawing, having experience of being part of group exhibitions, having some commissions (pet portraits, card making), producing work for deadlines, taking inspiration from a whole ranges of sources (art history, places I visit, films, music)

What are my ambitions?

At the moment I have a whole range of thoughts about what I want to do. I want to be able to illustrate books, so covers, children’s picture books, history/ nature related informational books maybe? Freelance/ self employment is something I consider, the internet connections with clients are more accessible meaning it would make working from home an option, though it is no guarantee of work. Then there are options of looking at agencies that have branches for illustrators. I also want to maybe write/research and illustrate my own books based on historical people/ places or traditional folktales. Concept art is something I am interested in but not thought about as much, it was what I wanted to do about eight years ago but faded away over time and now I might look back into it!

To begin with I am going have a general look at illustrators, videos, blogs, agencies, mentoring and podcasts that inspire me/ what I aspire to achieve in terms of working as an illustrator.

Illustrators 

FURRY LITTLE PEACH

Online portfolio and webspace of Furry Little Peach - Designer, Illustrator and Exhibiting Artist - living and working in Sydney, Australia.

The Printed Peanut | Illustrated Gifts & Homeware | Louise Lockhart

The Printed Peanut | Illustrated Gifts & Homeware | Louise Lockhart | Party Games | Stationery | Made in the UK

Oliver Jeffers

Oliver Jeffers is a visual artist and author working in painting, bookmaking, illustration, collage, performance and sculpture.

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Articles/Blogs

Blog - Katie Chappell Illustrator

Build up a visual library. A lot of the time, information will be flying at you very quickly and it's beneficial to have a stock library of icons and images that you can quickly pull out of your brain.

About this blog - Marloes De Vries | blog

Photo by Audrey Victoria Who am I? Hello! My name is Marloes De Vries and I'm an illustrator based in Rotterdam, the Netherlands. I've been working as a freelancer since 2004 whilst still in art school.

Picturebook Makers

Welcome to the Picturebook Makers blog - where the world's finest picturebook artists take you behind the scenes.

Rebecca Green - BLOG

WELCOME WELCOME, step right up! Today we're talking about balancing acts. Almost sounds like we're going to the carnival. (Now I want funnel cakes!) Nope! But we are exploring a different kind of skillful balance trickery: being an illustrator!While this post could seem somewhat sporadic, what I aim to communicate is the creative processes we experience as commercial artists.

Blog | Miss Magpie Fashion Spy

Blog | Here at Miss Magpie Fashion Spy, Niki writes about the latest fine art prints for sale in the shop, events, commissioned work and live illustrations.

So you want to be an illustrator? 12 helpful tips - LISA MALTBY

I often receive emails from students and aspiring creatives asking me what the secret to becoming an illustrator is.

Agencies/ Mentoring 

Plum Pudding Illustration Agency - Children's Illustration Agency - Illustration Agency - Illustrators

As one of the leading children's illustration agencies in the world, Plum Pudding Illustration Agency is known for being one of the most dynamic, passionate and proactive agencies, representing some of the most talented children's illustrators from across the globe.

About - The CAT Agency

Owner and agent, Christy Ewers, has been rooted in the children's literature industry since her mother, Chris, started the agency in 1994, and joined as an agent in 2013. Although Christy is not an artist herself, art has been an integral part of her life and career, even before joining the agency.

The Bright Agency

Bright is a collective of specialist agents, working across all areas of children's publishing, art licensing and illustration for design and advertising. Through the Bright Agency you can connect, commission and work with a huge variety of illustrators, animators and creatives. We are an experienced and widely used resource for sourcing incredible award winning content.

The AOI - Home

The AOI provides contract and business support to illustrators. We champion the rights of illustrators, and run competitions and events.

About | Orange Beak

to share knowledge and offer insight and encouragement for creatives. The Orange Beak Studio tutors have varied but complimentary skills. Maisie, Ness and Alice are all practising specialists in their fields of illustration, design and editorial respectively. In addition to this, both Maisie and Ness have teaching experience at post-graduate level.

Picture Hooks

At Picture Hooks we are tremendously lucky to work with exceptional illustrators who do a wonderful job mentoring our emerging illustrators. We can't wait to see the work our pairs will produce together and individually before our next exhibition launches, and look forward to our events throughout 2019.

Upland

A 6 month programme of mentoring and a bursary of £1,000 for emerging artists or makers under 30 years who have a connection to Dumfries & Galloway. Two Emerge Bursaries are available in 2021 for emerging artists and makers 30 years and under (funded by The Holywood Trust, the Archie Sutter Watt Trust and Creative Scotland).

Folio illustration agency | Illustrators and Artists portfolios

Skip to main content The Showcase is where we present some of the most exciting new talent we've discovered, and let their work speak for itself. It is a place where newly established artists, illustrators, typographers and studios can display their work, their skills and their ambition, and show us what the next generation of graphic art and design has in store.

Videos

BBC Arts NI presents - Oliver Jeffers - Here We Are...BBC Arts NI Presents

A profile of the multi award winning international children's picture-book maker.

Podcasts

The good ship illustration podcast

You're one of the first to hear it. Learn more about The Good Ship Illustration and how we each found our creative voices. Grab a cuppa, listen while you draw, and let us know what you think. (Instagram is our favourite place to hang out.) p.s.

Drawing Club Podcast

The Drawing Club Podcast is a weekly podcast hosted by two illustrators and friends, Mia Minerva and Sasha Kretova. We get together to draw and chat about ar...

Podcast - Women of Illustration

In this episode with illustrator with Sravya Attaluri we go over all the best ways to prepare to leave your day job before you go full-time freelance. How you can build up a side hustle, put money aside, landing your first illustration clients, and getting all your ducks in a row before you give your final notice.

CREATIVE PEP TALK

Creatives have the super power of seeing infinite possibilities but this super power can easily become a confusing burden when it comes down to actually choosing a direction. In this episode we talk to Lulu Miller about how to navigate these decisions and so much more!

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